By innovative speech, colloquium however resembles original language. But how much could we create in process of speaking? It seems that speech has its intuitive limits. Although speech is literary activity, making and moving rules of writing and thinking. Original language would imply that speaker should say nothing more than what hearer wants to hear but would be even more pleased to hear and that no one could repeat what once was said. It means that language stands in creation as dynamics and that no category is liable only to figure of speech. Speech creates always something new to the ordinary language, and linguistics standing to metalinguistics is borrowing science, science as language of formal signs thinking of forms as the relations. In linguistics once there were metaforms, forms transcendent to forms as an original language; flows and forms as metalinguistic solutions. Once the speech is perceived, it will remain as metaform, if taken as an object, or an element, or is assigned, will be language of linguistics. Difrence is changed and has new quality. Its advanced logics takes in favour of situation creating perpetual structure, structure that is close to language structure. The rules of transcendental logic are the same as the rules of logic. This projection is not to be applied in case of the metalinguistics. Metalanguage does not have any tangible lines in between, language to metalanguage. Categories for itself are not projections, metalinguistics are beyond domain of colloquial speech or level of letters. Original speech uses rhetorics in monologue for satire in dialogue. It is in relation to the subject, and not to the object. In debate/prominent speech, superspeech is very useful rhetorics. Particularly in debate, protagonists tend to see subject as object, creating underlanguage, and reducing even ordinary rhetorics. This happens desirable in rhetorics when the speaker becomes a listener. Super speech can reduce power of speech, or improve, depending of participant speakers. Superspeech is in relation to object and uses monologue as in prominent speech, or is in relation to subject and uses dialogue as in debate. It will use sarcasm or satire on listener or itself, not to third person weather is intended speech. It is dialogue between subject and object, as in perfect speech, object is always listener and words are interchange. Because of importance of speech, speaker doesn’t think on anybody else but on second part and is creative in the meaning of true metalinguistics. It seems that only live impression can have property of perfect language. If it widen listener’s perspective or speak in terms of lingual logic. Speech is intended to listener, not to third person. Just as someone should listen what speaker said from the listener, which should not be prominent speech. Our own creative speech could not be made from words of others. Humour and sarcasm are made of metalinguistics. We should use superspeech, when speaking in forms and again it would be metalogic. Our creative speech is made of words that we create. Reader does not speak, reading is not creative language, in true reading we are perceiving, and if perceiving we do not speak. We are not oriented toward third person, because the object of our speech is the second participant, that once was speaker and now speaks language inferior to the language of the listener. This listener can interchange in perfect language, making the speech of dialogue, which was the basis of perfect language, with no difference between listener and speaker. Instead of two objects in superspeech, we have two subjects. Humour holds the knowledge of forms. Play with meaning if not humour will become sarcasm, metalanguage that is intended toward others, on behalf of others, unique humour of rhetorics, humour which tries to capture attention. Humour that has power, or force listener, is distinctive sarcasm, if sarcasm could be distinctive, as higher degree of humour, intended metaspeech (Simpson, 2003). Metaspeech do not speak but interact, do not speak to silence but to hearing, and etc. Speaks, than hears, speaks, than hears heard, speaks to heard. If having no benign reception, humour of rhetorics will produce sarcasm. Humour is the most benign reception of rhetorics. Super speaker will always speak, no matter what but will speak to situation. Humorist are in fond of hyperspeech, but only rhetorics uses sarcasm. Sarcasm gives insight in metaspeech. Although sarcasm is a conservative device. Difference is positive, not negative, there is difference between subjects, not their ability. My perfect language means that I can express modialities as well as simple forms, but my ability is political not instrumental, words are not instruments, not a priori, there are forms of perfect speech. Linguistics are hollow in outform, linguistics is not the form but the process, speech in creativity, and its creativity, its metaspeech of modalities is creative to its instrument, it does not change only the language, and values of language, it changes also the subjects.. We can change by creating, because of the ontology of the language. Formal or logical change of modalities that are ranks, is structural, therefore not formal, but inner politics. Political ontology says that words have political values, that means that they change reality of their perception, not as the form but as the quality because it is process between the subjects, that is creativity not the objects. Low language do not change world. Colloquium is not changeable, it is not political. Politics are ontological, within modality of one subject, within modality of words (Devitt, 2006, Antony, 2008). Speech is only part of metaspeech, therefore it is ontological in its value. Superspeech can create and by creating it resembles original language, further, political speech provides insight in, how could we speak without listening poetry, can clamor prevail poetry, can only poetry surpass poetry, speaker uses however simple words.
The journal of advanced rhetorics 